Sometimes a character, superstar that is barely mentioned in the novel, can be an integral part of the novel itself - one who brings out one of the novels main themes. Kurtz is one such example in Joseph Conrads fancy of Darkness. The mystery in this novel is mainly roughly a character named Kurtz whom Marlow desires to meet and speak with. Kurtz, like numerous another(prenominal)s, changes due to everyplaceexposure in the African jungle. But even afterwards Marlow meets with Kurtz, Kurtz is noneffervescent a mystery to Marlow and to Conrads readers. To Marlow, Kurtz became widely known as the man with some(prenominal) a(prenominal) faces -like adding an entire new identity over his body. In the novel, Kurtz can be viewed in many perspectives. He could be the flabby devil, he could be an honest man, and he could even be mindless idiot who was overwhelmed by Africa. Because of Kurtzs regular changes, his mysteriousness starts to cloud the readers impression of Kurtz. His ambiguity of his nature not only reflects how Africa changes a person entirely, but also the mysteriousness of Africa itself. Through his ambiguity, Kurtz teaches Marlow a lesson that all men are hiding from the truth, but Kurtz still reveals himself more like a cipher, a mysterious homosexual code.
Conrad uses Kurtz as one of his prime examples to represent the mystery of Africa; from Kurtzs many faces to Africas effect on Kurtz as well as the other Europeans, Conrad wants to point out that everyone/everything possesses a mystery within themselves - an approximation Marlow soon realizes through Kurtzs final words: The horror! The Horror! (64).
Kurtz however, before his venture to the African jungle, was just an ordinary Englishman with hopes and dreams. To many people back home, he was known to be a loving intelligent...
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