?The go not the arriver matters.?The above statement: ?the voyage not the arrival matters,? holds very little credibility. This can be seen by the examination of 3 texts, all of different sensitive that portray similar, til now differently expressed ideas about the creative journey. The play: The Tempest (1623), by William Shakespeare pass on be shown to reason that the ultimate result for the real world is the most key issue, yet cannot be arrived at without the presence of an imaginative journey. The stick out book Where the Wild Things Are by author Maurice Sendak will be shown to explore the ultimate effects for the real world, and because the destination as the most important aspect, however again, the imaginative journey is essential to the ultimate arrival of the journey in the text. The final assertion of the importance of the arrival can be seen in Coleridge?s Poem This Lime Tree embower My prison where a message will be all the way learned as a result of the imaginative journey, thusly affirming the importance of the journey?s arrival. All the texts have catalysts, journey processes and results, most often in the form of learning, and since these journeys cause a change in their protagonists when they return from their imaginative journey, it accentuates the importance of two the journey and subsequently, the arrival.
Each text from different periods in judgment of conviction will support the ?contradictory statement? that ?the journey and the arrival matter?The Tempest is a Renaissance play that explores the colored construct of an island as a place of magic and imagination, yet despite the centrality of imagination to the play, its ultimate concern is for the effects of in the arrival in the real world. This can be seen with the tube-nosed fruit bat banquet scene, whereby the phantasm of the harpies as an illusionary...
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