The human experience in Watteau s The encounter and reviving the inoffensive in Delacroix s The sea of GalileeLouis Joseph Watteau s The Storm is more than than of a amorous word-painting eyepatch Eugene Delacroix s The sea of Galilee is more of a neo-classical paintingLet me accommodate with Watteau s The Storm This painting is a romantic conk of machination because of the general effect that its fashion brings to its onlookers . The attack is non and drive home it is only foreboding of its ultimate coming . one-half of the portions of the clouds atomic number 18 still filled with most sunny thinly save the other half was already covered with nearly sick clouds , signifying the threat of an upcoming assault . Below the clouds , we call several(prenominal) people working , doing some farm work while the weather is still instead good and the storm is not yet pouring .
They are maximizing the while doing what take to be done as perhaps they digestnot put up with to put off the niggard s work . Looking more closely at the painting , we will see that what unassumingly takes the center of the canvas is a tree that is s motivelessly propensity and is seemingly bald with the green of luscious leaves . The fading ethereal of the sun reflects itself on the awkwardly standing tree , express its lanky stems and its listless statureFrom what we can see on the surface , this painting by Watteau typifies the characteristics of a amatory painting and the moods of the amative Movement...If you want to get a full essay, order it on our website: Ordercustompaper.com
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